意大利米兰国际艺术展览会（MIART）是是一个集当代艺术、现代艺术和限量版设计相互对话的博览会，探讨过去与现在的创造力之间的关系。该展从1997年开始，一年一届，在米兰国际展览中心举行。由于精心挑选的国际画廊，miart是意大利博览会，向公众展示从20世纪初艺术到最近几代作品的最广泛的作品。
凭借其众多不同的部分，其丰富的奖项计划和雄心勃勃的系列讲座向公众开放，每年春天miart都会将收藏家，策展人，博物馆馆长，艺术家，设计师，艺术爱好者和记者的国际观众带到米兰。
miart将再次成为米兰艺术周的催化剂，为期一周的系列展览开幕，特别活动和表演，涉及主要的公共和私人机构以及该市的基金会和画廊，非盈利和艺术家经营的空间，使米兰成为现代艺术和当代创造力的国际首都之一的所有实体。
miart是一个展览，其中现代和当代艺术通过明确的回声传达不断的参考；它提供了一种掌握过去和现在之间联系的情况。miart将强调这方面有志于研究与现有模型不同的制度策略的可能性，目的是沿着miart在整个一年中在现代和现代生产中发挥积极作用的路径，而不仅仅是在艺术博览会的日子。
展品范围(Show Products):
大师艺术：展示了1999年之前制作的艺术品，其选择范围从现代艺术大师到今天重新发现的艺术家；
当代艺术：专注于当代语言，从当前的经典到新的和最近的制作；
初步艺术：一个致力于画廊的类别，它们参与了新兴艺术部分的过去、现在正在传递给当代艺术部分。
新兴艺术：侧重于最新一代的艺术家；
古代艺术：探讨20世纪历史艺术，通过专题展览或主题展览，每个作品展示了有关时期的关键时刻，可追溯到1910年代至1990年代的一系列项目；
当代艺术：两个不同时代的艺术对照作品；
行为艺术：推广实验设计，装饰艺术和限量版以及收藏品设计的艺术。
展会报告(Show Reports):
miart, the international modern and contemporary art fair organised by Fiera Milano, successfully marked a positive trend by expanding the thematic, spatial and temporal boundaries of the event, as the title of this 28th edition suggested.
Building on the theme of ‘no time no space’, the event was projected into the future and saw significant successes: excellent sales, an increase in the presence of national and international collectors, journalists and a huge number of visitors.
The Fondazione Fiera Milano Acquisition Fund selected works from Maximilian Arnold, Sam Bakewell, Anna Boghiguian, Andrea Buttner, Francesco De Bernardi, Louis Fratino, Giorgia Garzilli, Hervé Guibert, Rodrigo Hernàndez, Franca Maranò, Walter Pfeiffer, Megan Plunkett, Wolfgang Tillmans, Wladimiro Tulli and Urban Zellweger.
Appointment for the twenty-ninth edition from 4 to 6 April 2025.
Milan, 14 April 2024 – The 28th edition of miart, the international modern and contemporary art fair organised by Fiera Milano and directed for the fourth year by Nicola Ricciardi, closed today.
Featuring 178 galleries from 28 countries, more than 1,000 exhibited works by modern masters and contemporary artists, 10 awards including prizes, acquisition funds and new commissions, and numerous international museum directors among the panel of judges, the 2024 edition was evidence that the exhibition has become a must-attend event for the Italian and international art world.
From the moment it opened and throughout its duration, the fair was characterised by a remarkable vibrancy, with an increase in the presence of international VIPs, including collectors, art consultants, curators and directors of private foundations, and Italian and foreign museums, an increase in Italian and international press coverage, and a significant increase in public visitors – from the merely curious to dedicated enthusiasts.
Within each section there were as many museum works as there were works commissioned for the edition. There was no shortage of solo and group exhibitions, and modern art, the historic backbone of the Milan exhibition, was well represented with fine exhibitions.
The 2024 edition stood out for the quality of the works exhibited, the curatorial research, but above all for the exhibition's ability to forge new collaborations and to encourage unprecedented participation in art projects at the exhibition and in the city, helping to make its thematic boundaries even broader and more accessible.
The event was further boosted by miartalks, the programme of meetings and conversations made possible this year by an unprecedented partnership with Starbucks Reserve™ Roastery Milan. During the three days, the miartalks lounge was open to the public, with representatives from some of the most prestigious national and international art institutions alternating with figures from the worlds of music, architecture and design, while three meetings at the Starbucks Reserve™ Roastery Milan further added to the programme.
In this edition, no fewer than 10 prizes and commissions were awarded to galleries and artists, thanks to the work of prestigious juries of international curators and museum directors who decided on the winners: each award underlined how active each Partner is in supporting arts and culture.
